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Hell-O

Bucket Brigade Delay + Tape Saturation + Telephone Effect

Exclusivo para macOS · VST3, AU e AAX · 2 ativações por licença

Hear it in action

$30.00

Each license allows up to 2 machine activations

Features

  • Bucket brigade delay simulation
  • Tape saturation and distortion
  • Ping-pong and BPM Sync delay modes
  • Superb audio quality (up to 192kHz)
  • Zero-latency processing
  • VST3, AU and AAX formats
  • Lifetime updates and support within the same version

Concept

Hell-O puts telephone filtering, saturation and tempo-synced delay in one plugin. It works on vocals, drums, horns, percussion, parallel buses, synths, and anything else that feels too clean.

Use the EQ slider to narrow the sound and bring the middle forward. Push the saturation until the source starts behaving differently. Then add up to 2 seconds of delay, with ping-pong and BPM sync options.

Effect mix knob, input and output gain (±12 dB) make it easy to control how far things go. Hell-O is available for macOS in AU, VST3, and AAX formats.

Telephone EQTape saturationPing-pong delay · BPM sync26 pro presets
Hell-O plugin interface detail

Hell-O concept and sound design

Three modules, one chain

Telephone character, tape-style saturation, and syncable delay, all wired in series so you can shape, drive, and space a part without leaving the plugin.

Hell-O processing modules

Telephone Slider

Make it smaller, thinner, meaner

Cut lows and highs, at the same time pushing midrange that makes vocals, drums, synths, or full loops transform into phone, radio, intercom, megaphone, whatever you wanna call it.

Saturation Slider

Push it until it starts talking back

The saturation stage adds density, edge, and a bit of bad behavior. Use it alone on snares, parallel drums, synths, vocals, or anything that feels too clean.

Delay Module

A delay that actually belongs there

Up to 2 seconds of delay with feedback, ping-pong, and BPM sync. Dotted and triplet divisions are there when the straight values feel too polite. Good for vocal throws, stereo-slapped guitars, spacious keys, percussions, etc.

Made for your session

From vocal inserts to parallel drum buses, Hell-O covers the moves producers reach for every day.

Hell-O use cases

Vocals

Lead & doubles

In every album, there will be at least one song that benefits from a radio-sounding passage. Trust Hell-o to do this in just a few seconds.

Drums

Snare & parallel

Drive the saturation on a snare or parallel drum bus and listen for the point where the drum gets more exciting.

Sound design

Synths & texture

Longer delay times, feedback, and tempo sync can turn simple synths, pads, and one-shot sounds into something much less obvious. The saturation helps tying everything together.

Presets

26 (twenty-six!) factory presets

Made by some of Brazil's best engineers, many of which are Grammy-winning professionals.

26 factory presets made by some of Brazil's best engineers.

LISTEN

Hear It

Dry vs wet — pick an instrument, play, and toggle mid-loop.

Feedback

What People Say

Diogo Guedes

Diogo Guedes

Developer, mixer, recording engineer | Maria Gadú, Lenine, Marina Sena

"Each plugin takes more than a year to be fully developed, and everything is done by me with great attention to detail in every possible sense. I'm sure you'll enjoy these tools!"

Henrique Vilhena

Henrique Vilhena

Mixer, FOH Engineer | Lenine, João Cavalcanti, Letieres Leite

"monsterDrive is my favorite texture for all types of instruments. It entered my workflow, template, in all my mixes since I did the trial. The Hell-o gives me that final texture the client asks for, fast, practical and straight to the point. monsterDSP is gold!"

Braz Torres

Braz Torres

Producer, mixer | Rodrigo Alarcon, Mariana Froes, Carne Doce, Jean Tassy

"Hell-o is in all my sessions. I achieve a new tonal balance with EQ, saturation and delay that before I needed 3 or 4 plugins for. Perfect for breaks, transitions, bridges... The speed of the results is always impressive."

Platform & host

System requirements

  • macOS onlynot available for Windows or Linux
  • macOS 10.15+Intel or Apple silicon
  • Memory4 GB RAM minimum (8 GB recommended)
  • Storage1 GB free disk space
  • DAWAny Mac DAW with VST3, Audio Units (AU), and/or AAX (Pro Tools)

Binaries

Plugin formats

  • VST3
  • Audio Units (AU)
  • AAX (Pro Tools)
  • 64-bit only